Willy as Pathetic Hero in Death of a Salesman Essays -- Death Salesman

pat as moving supporter in expiry of a Salesman Arthur moth miller succeeds in demonstrating fantastically well in destruction of a Salesman that not only is sadal courage still accomplishable in the modern world, scarcely that it is also an affliction to which both major power and comm atomic number 53r are equally susceptible. However, Wily Loman is not a tragical hero because he is woeful, not princely, in his personal tragedy that comes from his inability to admit his mistakes and learn from them. Instead, he fits Millers interpretation of pathos and the pathetic character, one who by virtue of his witlessness, his insensitivity, or the precise air he gives off, is unable(predicate) of grappling with a much tiptop force, (Miller 1728). The tragic right to Arthur Miller is a condition of life that enables an several(prenominal) to travel the route to self-fulfillment and allows one to blossom to the fullest extent of his or her capabilities. This learning only occurs when the private has courageously and unblinkingly shaken and undergone the sum trial run of the unchangeable environment (Miller 1727). From this examination often comes the fear and terror associated with tragedy, as the individual is confronted with his own stamp of his rightful self-regard in society (who and what he thinks he is) as opposed to the dignity afforded him by society-at-large. Only the tragically heroic are ready to split up to secure this personal dignity, one that imbues them with heroism because of their unwillingness to remain supine in the face of what they conceive to be a challenge to their dignity, their reach of their rightful status, (Miller 1726). Thus, one is only flawless if they remain passive in the midst of this common-among-all-human-be... ...n debarred from such thoughts or such actions, (Miller 1727). Therefore, Willy is his own enemy because his unwillingness to change his behavior and thinking keeps him entrapped in a syst em of determine that prevent him from ever being free. This makes him pathetic and tragic, not heroic and tragic, because the tragic hero rejects any system that prevents the emancipation of love and creativity in the self, even if it is a system he himself has adopted. This is possible for the common man, but Willy is a common man, who, by stand up in his own path of development, cannot achieve it. Works Cited Corrigan, R.W. (ed.) Arthur Miller A Collection Of Critical Essays. Prentice-Hall, NJ 1969. Miller, A. Tragedy and the Common Man. Criticism On Drama. 1949 pp. 1726-1728. Moss, L. Arthur Miller. Twayne Publishers, Inc., NY 1967. Willy as Pathetic Hero in Death of a Salesman Essays -- Death SalesmanWily as Pathetic Hero in Death of a Salesman Arthur Miller succeeds in demonstrating incredibly well in Death of a Salesman that not only is tragic heroism still possible in the modern world, but that it is also an affliction to which both king and commoner are equally susceptible. However, Wily Loman is not a tragic hero because he is pathetic, not heroic, in his personal tragedy that comes from his inability to admit his mistakes and learn from them. Instead, he fits Millers description of pathos and the pathetic character, one who by virtue of his witlessness, his insensitivity, or the very air he gives off, is incapable of grappling with a much superior force, (Miller 1728). The tragic right to Arthur Miller is a condition of life that enables an individual to travel the route to self-realization and allows one to blossom to the fullest extent of his or her capabilities. This learning only occurs when the individual has courageously and unblinkingly shaken and undergone the total examination of the unchangeable environment (Miller 1727). From this examination often comes the fear and terror associated with tragedy, as the individual is confronted with his own impression of his rightful dignity in society (who and what he thinks he is) as opposed to the dignity afforded him by society-at-large. Only the tragically heroic are ready to die to secure this personal dignity, one that imbues them with heroism because of their unwillingness to remain passive in the face of what they conceive to be a challenge to their dignity, their image of their rightful status, (Miller 1726). Thus, one is only flawless if they remain passive in the midst of this common-among-all-human-be... ...n debarred from such thoughts or such actions, (Miller 1727). Therefore, Willy is his own enemy because his unwillingness to change his behavior and thinking keeps him entrapped in a system of values that prevent him from ever being free. This makes him pathetic and tragic, not heroic and tragic, because the tragic hero rejects any system that prevents the freedom of love and creativity in the self, even if it is a system he himself has adopted. This is possible for the common man, but Willy is a common man, who, by standing in his own pat h of development, cannot achieve it. Works Cited Corrigan, R.W. (ed.) Arthur Miller A Collection Of Critical Essays. Prentice-Hall, NJ 1969. Miller, A. Tragedy and the Common Man. Criticism On Drama. 1949 pp. 1726-1728. Moss, L. Arthur Miller. Twayne Publishers, Inc., NY 1967.